Abstract art

Mini Paintings How To

Mini paintings are a great option if you have little space for painting. In addition the little paintings make wonderful affordable original art. Sometimes a person would really love to buy some art but it might be beyond their budget at the time. That’s why I make the minis so that everyone can enjoy owning art.

Before I start painting, I section off a large sheet of 300gsm watercolour paper using narrow tape into 6.6cm squares, usually using washi tape which is easily removed afterwards without ripping the paper. You need to allow a little excess around the image size for framing.

Once you do that, you can have loads of fun with using acrylic paint or gouache paint to create abstract designs or landscapes or still life paintings. I tend to do a mixture of these of course. Love variety!

In addition to paint I use wooden stamps with different floral or leaf designs, or I use sturdy leaves and flowers such as geranium leaves and daisies to paint and then press onto the paper. For finishing touches I like to use Posca acrylic pens or metallic pens to add to the layers and interest. You can see from the image below that I have used a watercolour sheet that had previously had leaves and flowers painted and pressed onto it. You’ll see them within the mini paintings here and there as part of the design. That is something else you can do - prepare the paper with pressings such as this and then once dry, tape up ready to create mini paintings over the top.

Finished mini paintings

Once the paintings are finished and dry, carefully remove the tape. If it feels like it is sticking a bit, use a hairdryer on low to heat and soften the glue on the tape. This is a great tip for preventing paper tears. I have an A4 guillotine which I use to cut paper into the individual paintings. You can just use large scissors or a ruler with a sharp blade on a cutting mat instead. I love this bit to see the little pictures come to life.

For these mini paintings I bought two mat board sizes to create a double mat once framed. I did this because I wanted to use 20cm square frames and the double mat gives more impact and wow factor. You need to use acid free / archival tape to adhere the paintings to the back of the mat board ready for framing. Usually I put a little piece of tape on the painting and then place it where it looks best within the mat board opening. Then I use some tape on each side to secure it well. You can see in the video below how they look in the mat board frames.

I have used purchased pre-made frames for these paintings. I clean the glass till it’s spotless (it’s amazing how the glass in a wrapped frame isn’t spotlessly clean!). Then pop the painting in making sure everything is lint free, secure the backing and then I tape the edges of the backing to give a professional finish. Here are some of the paintings below in their frames.

Creating texture in a painting

I painted this artwork as a gift for a nephew and niece-in-law for their wedding present. It was a fun one to work on. It is 101cm x 76cm.

I started by spreading a thin layer of moulding paste onto the canvas and then used the end of a paintbrush to mark the design to create texture and interest before the moulding paste dried. You can do this in sections so the paste stays moist. You can also use stamps and linocuts to create texture in this fashion.

Then using professional acrylic paints I painted the background colours, using the darker tones to start with and I mixed some colours with clear medium to make the paint more translucent where needed.

After that, I brought in the lighter colours, then highlights. It's important to check the tonal values (darks and lights) and I do this by taking a photo and converting it to black and white on the photos app. You need good contrast of tone and also colours for a painting to work well.

I used the @smartist app to pop the painting into different settings to see how it might look. This is always loads of fun.

My nephew and niece-in-law love it and I'm so glad Uplifted is in its new home.

Abstract in Development

This shows the progress of a recent abstract painting and how it developed along the way. When it was finally completed I named it "Alive". This painting is 1 metre square on a stretched canvas.

When I begin an abstract painting I may have a vague idea of what I would like to do. Then as the painting develops it often changes direction like this one did. Colour choices might also change and this can depend on what I feel the painting needs to lift it or add contrast and excitement.

I tend to choose bright colours rather than muted and I have pondered if that is a psychological need for zing in my life or just that I love bright contrasting colours? Food for thought!

Starting a Large Abstract

Starting a Large Abstract

Sometimes when faced with a blank canvas I used to catch myself procrastinating. I felt like making those first brush strokes might ruin the whole painting before it’s even progressed. That all changed after listening to Nicholas Wilton from Art2Life. He recommended going straight in and making the first marks with paint or pen to get over the fear immediately.

When is an abstract painting finished?

When is an abstract painting finished?

This is a common question and the answer as you might imagine is very subjective. It can only be finished when the artist feels all the elements are just how they want them. This is likely to vary from artist to artist depending on what they were hoping to achieve with their art.